Zaha Hadid Designs Light Filled Void In New Dubai Building 1

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Wednesday, January 29th, 2014
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Light Dematerialises Void At Night
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Starchitect Zaha Hadid is embarking on her first Dubai architectural project – a mixed-use building that appears to hover over the ground.

While the project may not boast the skyscraping heights to which Dubai is renowned, the 93-metre building is expected to become a landmark due to its distinctive aesthetic that sees a “fluid void” through the middle of the structure.

“The Opus comprises two structures, conceived as a single cube eroded by a free-form void,” explained Zaha Hadid Architects.

Void Appears Full By Day

The void appears full by day

The two structures are supported by a conventional system of slabs stacked vertically, serviced by one concentrated core. This removes the need for columns across the floor plates, maximising views and the absorption of natural light. The structures are then connected through a hidden base that make the building appear as if it is floating off the ground.

“A pixelated reflective façade renders the cube full by day: by night, it “dematerialises’ as light floods the void,” the firm said.

According to the Design Build Network, the “void” will be clad with a fully engineered tinted double-glazed curved glass curtain wall that will direct the different day and night views within the volume of the void.

“The idea was to create curves and openings with a view to the city and landmark building that are adjacent,” Hadid explained. “I wanted it be a very large window to the city, this is where the idea of the void became a critical factor.”

The building will cover 84,435 square metres and will be the home of the first ME by Melià hotel in the Middle East.

The project marks the first time Zaha Hadid will be completing both the interior and exterior architecture work for a hotel.

The building’s exterior features wide pedestrian pathways. Of its 21 storeys, 17 will be dedicated to office space and four to retail with a top floor relaxation, pool, spa and rooftop garden.

The distinctive building is part of a larger master plan for the city of Dubai and will be located in the city’s business bay, offering views of the Burj Khalifa, currently the tallest building in the world.

The Opus Office Tower

The Opus Office Tower

The project, which is expected to be completed in 2016, may reflect Hadid’s signature design elements of fluid and futuristic architecture, but the concept is fairly unconventional when it comes to creating a commercial office tower.

Many new building of late are exploring voids, holes and bridges that move through a building offering an exterior component. The buildings also work to offer new ways to navigate through spaces and visually connect cities, as seen in a similar proposal recently for multimedia company Axel Springer’s headquarters in Berlin.

Axel Springer HQ by Büro Ole Scheeren

Axel Springer HQ by Büro Ole Scheeren

Late last year, architectural firm, Büro Ole Scheeren was commended for its “collaborative cloud” project for Axel Springer, which proposed a building that featured a central void designed to visually connect the city’s east and west.

“At the core of the new building floats an urban-scale void, establishing a visual axis between former East and West and conceptually reuniting the two sides,” the architects said. “The building emerges as a symbol of transparency and historic awareness… identity is defined not as an object, but as space – a physical void is carved to create flexible permeable places for imagination, collaboration, and interaction.”

CCTV Headquarters, Beijing

CCTV Headquarters, Beijing

Büro Ole Scheeren is also behind the iconic CCTV Headquarters in Beijing. That unconventional site may not have an official void but is made up of two towers connected via a cantilevered bridge above an open centre, offering a view through the structure itself.

Modern architecture is exploring sky-high opportunities to create iconic structures by visually connecting buildings and their inhabitants to the outside world through a aesthetic that leaves a physical void in a bid to fill one.

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  1. Mercy

    I like how the facades change between day and night time.
    While the cube appears full in day time and the void as empty, at night the image would be the opposite: the cube would be dark and dematerialized and the void lightened, making the building visible form a great distance.
    This building will definitely be a new landmark for the city.